The tricky part of evaluating espresso equipment is deciding when the results are consistent enough to be reproducible for a would-be buyer. Jim aptly commented on this reviewer's dilemma in
The Princess on the Pea:
another_jim wrote:On the surface it seems like a delicate balancing act: get too picky and you're a princess on pea, not picky enough, and you join the whatever brigade.
Everybody occasionally goes overboard in one direction or the other; but people who are always over or under-scrupulous have a problem: they don't care as much about the coffee as about themselves. The princesses want to impress you with their perfection, the whatevers by their cool.
When in doubt, I err on the side of caution before reporting results. For example, if I believe a piece of equipment performs notably better or worse than expected, I will ask friends to try it out for confirmation (Counter Culture Coffee holds a public espresso lab every Friday morning at their Durham roasting facility; this has been an invaluable resource for soliciting second opinions and testing beyond the budget of an amateur website). Being slow to arrive at conclusions may make me closer to the whatevers than the princesses, but I believe that it's justified when significant purchase dollars hang in the balance.
That said, the
Second Look is a less formal review format than the Buyer's Guides, so I hope readers will allow for preliminary observations that may need refinement (or abandonment?) before the concluding post.
First Espressos, First CappuccinosHaving identified the Maximatic as a Dragon and one quite similar to the Elektra Semiautomatica, dialing in the brew temperature was a snap. Although countless forum topics stress the importance of stable, repeatable brew temperature, the last couple years I've felt its contribution to quality espresso is frequently overstated. A more nebulous measure, referred to as the "morning after" score in the Buyer's Guide or the "forgivenness factor" in discussion, carries considerable weight. I've made this point before, most recently in
E61 vs E2009:
HB wrote:I am less interested in the particulars of brew temperature control than the consistent quality/character of the group's extractions. But that's hard to quantify, so manufacturers ceaselessly tout their equipment's impressively flat/reproducible brew temperature profiles. Yawn.
To put it another way, I've used espresso machines that were impressively consistent in terms of brew temperature, but were devilishly fussy about proper dose and distribution. Others I've used had unremarkable brew temperature consistency, but their espressos were an absolute delight for the modestly skilled barista.
Determining whether an espresso machine is a taskmaster or delight doesn't take long, as was the case for this evaluation. I started with a level-cut double basket, which comes out to around 14 grams for the Olympia Maximatic. My first impression was that the Maximatic demands a tad more attention to technique than my other benchmarks, the Elektra Semiautomatica and espresso machines equipped with E61 groupheads like the Expobar Brewtus, Vibiemme Domobar Super, and Quickmill Anita. The telltale signs of channeling revealed themselves if the distribution was off (e.g., twisted barber poll stream, early blonding, reduced body and muted flavors). Through experimentation over the next few days, I found that
nutating motion noticeably improved consistency. I used to deride this technique; now it's part of my standard barista toolbox.
To eliminate concerns about the grinder's consistency, I paired the Olympia with the Mazzer Robur, which menacingly towers over it. Within 3 or 4 pulls,
PT's Bella Vita was shaping up quite nicely, though it wasn't the flavor profile I remembered for this blend. I wrote Jeff Taylor about it:
Dan wrote:Hey Jeff, I'm dialing in some Bella Vita this week. I haven't sampled it as frequently as I would like, but I thought it was more chocolaty than fruity. Or it may be the new equipment (?).
He had mentioned that the blend was changed a bit lately. I have a second bag in the freezer and plan to return to it now that I've had a couple weeks of practice to see if the lower chocolates were a change in the blend or reflects the equipment choice.
During the initial week of testing, I switched odd/even days between my regular setup and the Maximatic. My general impression was that the Maximatic espressos had slightly less body and clarity than the Elektra Semiautomatica (by clarity, I mean separately distinguishable flavors versus a melange; think chocolate and nuts versus chocolate mousse). On the other hand, a surprise was a contrast of Counter Culture Coffee's Gerbicho Rogicha single origin espresso on their La Marzocco GB-5 versus the Olympic Maximatic. It delivered an intriguing ultra fruity floral burst of flavor on the La Marzocco, but suffered from a lemon pucker finish. On the hot-headed Olympia Maximatic, the Gerbicho rocked. The lemon peel disappeared, replaced by sweeter, more balanced cranberry and light milk chocolate. I was disappointed when they ran out of that coffee, it really shined on the Maximatic.
I've only made a few cappuccinos. The steam arm rotates in a horizontal plane, has good depth for a small pitcher, and the dispersion pattern of the four hole tip doesn't demand jostling for latte art quality microfoam. The high boiler pressure makes for ample steam out of the gate, though it falls off quickly if you're steaming for two, doubly so if you considered using the ambitiously large stock pitcher (**):

The pitcher on the left is the
Cafelat single serve pitcher. It comfortably accommodates around six ounces and the shape works well with the Maximatic's powerhouse output, roiling the milk with aplomb. Filling the stock pitcher halfway seems appropriate for one "Big Gulp" latte or two double shot cappuccinos, although the steam boiler loses its ummph before the milk reaches serving temperature.
(*) Food for thought: Which is better, an espresso machine whose absolute best espresso beats all but requires barista Ninja skills possessed by few, or one whose typical espresso beats the top performer most days but will never surpass its best?
(**) Recent Olympia models include a different pitcher than shown above. See them photographed side-by-side
here.