Sorry if this post is somewhat OT, but I just had to say it...
terryz wrote:Seems to me that Pasquini private labeled the Olympia product for a while. The current Olympia Express, is not the same as the past ownership, but I think that is what your "Conspiracy" is about. Not an uncommon practice in the espresso world, but what I thought I knew was all wrong, so now I just drink Grappa and Wine

Drinking Grappa and Wine is not a bad thing per se ... especially not when it's good and when it's Italian...

T.J. wrote:For the sole reason of product development and research, it becomes evident to me that the Cimbali M-21 Junior and the upcoming GS3 are truly models out of comparison with the plethora of E-61 clones that dominate unit sales numbers on this level of investment.
Is that a good thing or a bad one? "Out of comparison" in which sense? And can the M21 (unmodified) and the GS3 really be named in one breath with regards to espresso quality? Is - again in that sense - a M21 really superior to all these E61 clones? Can we really generalize to such an extent?
Of course you are right
that brew technology did not cease in 1961 when Faema introduced the E-61 group, but what was the main goal of the large groups like Cimbali since? Was their main concern about quality (in the cup) or about quantity (e.g. being able to serve more and more
espresso (sic.) in less time and with less human effort) and market-shares and profits?
I consider myself very "italophil" and we are quite frequently in Italy - especially the north-east - but recently we have taken up travelling with my Pavoni lever machine (the quality of which has, btw., significantly decreased since Saeco bought the company) and the small Grinder. When we visit a bar we drink a glass of wine or prosecco instead of an espresso and in restaurants the quasi-obligatory 'Cafe' which finishes a usually superb meal is seldom a pleasure anymore.
Why? Because the
espressi served in most bars and restaurants are usually mediocre at best. More often burnt than not and from a machine which has evidently not had a backflush and a good cleaning for quite a while. And very often these machines are Cimbalis - or Faemas. Luckily the Lavazza, Illy or - even worse - the Segafredo is not as ubiquitous as one might think, so that the small torrefazioni artigianali - another example of what you seem to call (somewhat condescendingly as it appears)
"mom and pop" manufacturing facilities - can bring in at least a little quality.
What I find curious is that the really superb espressi I got within the last year all stemmed from machines you probably would consider (again somewhat condescendingly, IMHO) made by
small garage manufacturer's in Northern Italy (though I'm not sure which companies exactly you may have had in mind with that term... LSM, Elektra, LaScala, Macap, Mazzer maybe?) and that the absolutely worst espresso was from a Cimbali distributor (whom I had visited destined to buy a Junior DT1, a deal which I eventually refrained from and decided to stick for the time being with my "garage-made" E61 clone).
I also remember some fairly good ones like those in Livio Felluga's small osteria in Brazzano (from an E61 Legend) or at a beach somewhere in Sicilia (from a Wega) and some from a friend who has a small roastery here (a Faema E92 Elite), but none could even remotely compare to the ones I make at home (but of course
de gustibus non est disputandum)
To sum it up and to get to my point: I think that large companies - like Cimbali - in their chase of marketing figures and shareholder values (or whatever) seldom pursue excellence in the cup anymore. It is quantity they are after, not quality or - to be more precise - quality only insofar as it is necessary to increase profits. And thus, IMHO, these companies will hardly be the first choice for the home aficionado, who is in search of a machine which will aid him in pursuing his own goal: the best possible espresso given his own limitations.