peacecup wrote:Karl,
I just posted results and thoughts on eight solos crafted using the "Fellini pull". It's given me the little bit of extra volume (3/4 oz.) that I thought was necessary for a correct solo dose on the Ponte Vecchio. I've also been getting those lovely dark tiger flecks which I hadn't been getting before. I'll be interested to hear how it works with Elektra solos.
Jack
jack,
I can only report one Fellini Pull so far. And it was the fourth of the evening session when the Elektra is generally too hot. The first two pulls were with a dark roast Yemen Sana'ani and were on spot. The third was a lighter roast of the same beans and was not my style. I went back to the preferred dark roast for the Fellini Pull.
My first observation was that the crema was darker and more mottled and the volume was greater than my usual single pull. In taste I found the "Fellini" quite different. It was thicker in body and while good not as much to my liking. It seems to trade off complexity for density.
What immediately ran through my mind was a champagne tasting years ago. It was all Bollinger and we sampled the full range from Special Cuvee up through vintage Rose, vintage Tradition R.D and even Cuvee Vielles Vignes Francaises. This last one is extremely rare, made from 100% Pinot Noir and comes from pre-phylloxera grapes. The Managing Director at the time, Christian Bizot, was there. He said he would not take a sample of this one giving the rest of us more to taste since one virtually never sees this for sale because so little is produced. He did however say it ws the
richest of all the wines. This description confused me because it was actually the lightest in body. But as I tasted it dawned on me that by
rich he did ot mean cream on top of chocolate sauce on top of ice cram on top of cake as I interpreted
rich i.e., heavy-ness on top of heavy-ness. His
rich meant great complexity of flavors that played out in an elegant light context that allowed precisely many flavors to exist in clarity side-by-side. Heavy-ness covers up variations and allows strong simplicity.
I give this detour because the single pull Yemen Sana'ani is
rich in this classic French sense of light and greatly complex. The "Fellini Pull" I just had was not
rich in this way. It was fine in its strong simplicity.
But I need many more trials.
KS