U.S. Roasters have made giant strides in the past five years when it comes to espresso blends. Schomer should be credited at least partially for that progress, by being perhaps the loudest public voice in favor of lighter roasts for Espresso. The San Francisco dark roast slowly gave way to lighter blends and brought more American roasters in line with what is commonly referred to today as Northern Italian roast. In essence, it is a full city roast, stopped at the first snaps of the 2nd crack. Illy calls this roast Normale.
The dark roasts haven't disappeared from the menu, but their percentage decreased and you now see mostly full city or lighter roasts as the predominant offerings in espresso blends. A particular extreme on that side of the spectrum is George Howell, who's light roasts for espresso may be challenging the idea that coffee should be roasted at all.
But beyond roast level; there has been a gradual emphasis on high quality beans, with the latest trend of including COE lots in an espresso blend.
So how do American blends fare in comparison with Italian espresso blends today? For the American consumer, unless you visit Italy, there is no way to know. All the Italian espresso blends sold in the U.S. by the likes of Lavazza, Illy, Segafredo & Miscela D'oro are at least 9 months old by the time they get to the consumer. We treat 2 week old beans as unsuitable for espresso, suffice it to say that regardless of Illy's claims, those coffees are for the birds.
Jim's mention of
Sandalj Coffee got me curious. An Italian green bean distributor that offers 15(!) different espresso blends most of which are designed for straight shots. In Italy, a roaster cannot sell coffee & call it espresso unless it meets strict Italian Standards. Sandalj happens to be a major league player in that field, and I thought it would make a very good representative of the latest in Italian Espresso.
So off I went and sent them an email asking If they would send me some samples for evaluation. A week later, I received in the mail 3 different blends, straight from Trieste, fresh out of the roaster (4 days from roast). I sent one to Jim for his evaluation, and stared at the other two for maybe an hour. They were 200 gram samples of the following blends: Vivaldi, (100% Arabica) Caruso (100% Arabica) and Scarlatti (15% Robusta). Jim got the Vivaldi, and I went to work on the other two.
Caruso
Roast level: Full City
Medium to heavy body, sweet & elegant with overwhelming cocoa, and some citrus, pomegranate & earth notes. The earth is on the light side, resembling amber/caramel.
Scarlatti
Roast level: Full City
Full bodied & sweet with deep low notes & accents of molasses, marzipan & figs.
To Sandalj's credit, their description on paper of what to expect in the cup is right on target. Both blends poured very well with solid extraction that could be stretched into a 2 oz double without blonding. If I were to rate them according to my personal preference Caruso would be a half point higher in overall scoring. Two very good blends but none of them exceptional. I would not rank any of them in my top five commercial blends and that notion surprisingly disappointed me. Apparently I was secretly rooting for the Italians.
This is by no mean a statistical sample of Italian espresso. But I think it is accurate none the less. I'll be able to re-examine these conclusion later this year on a planned visit to Rome.
So what happened in the past five years? I think American roasters did to the Italians what wine makers from Australia, New Zealand, Chile & Napa did to the French. A quiet coup d'etat while they were sleeping.
I believe that the Italians will eventually catch on, and perhaps return to innovation in coffee. Sixty years of experience in roasting for espresso is no small feat, and Italians take espresso as part of their national identity. They have too much in stake.